Sculptures. Uniques and serial pieces.

In these works Fernando E. Rodríguez Montilla, has used: iron, wood, marble, limestone and the hard oak, sculptures that is the result of many thoughts, dialogue with the material and place it in the space. Sow in a vacuum. Sculpting in the dark. Collect soles. Melt the material for shaping.

The sculptor located inside the form of expression in itself matter, you are discovering, stripping, it caresses it while getting dressed it, speech is passionate. It suffers and rejoices in his work giving it life.

From his studio in Madrid he went to Merida, where proceeds from birth and family, to a studio where focus your ideas, identify, spends hours of solitude and located inside. Fly and cling to the firmament. The cosmos is your enclosure. It investigates.

Its modern sculpture has some realism in the lines of his works. Life has been her main teacher. Read, study, look and feel, visit and saves, talks and plasma.

Hours of silence, meditate constantly, hands will be caressing the matter, gives it shape, is identified and begins to feel with her. Take a stroll in the shade, that only light can see at the end of the achievement of his thinking.

Fernando Delgado

NAKED

Iron soldier

60 x 93 X 45 cm.

SODA STOPPER

marble

35 x 100 x 70 cm.

WOMAN

marble
100 x 18 X 15 cm

LADY

marble

45 x 40 X 22 cm

LIPS FOR BRANCUSI

limestone

43 x 24 X 23 cm.

BIRTH OF NORAY

calatorao

32 x 38 X 18 cm.

ELBOW SPACE

Bronze

52 x 51 X 48 cm.

First prize of the contest of sculpture 120 anniversary of box Badajoz. The sculpture that we reward "Space at elbow" sculptor Fernando E. Rodríguez Montilla is a reflective hybrid articulation of its author, acting simultaneously as armor and body. An introspection of their identity through the reflection. Polish their visceral belly cause a tubular infinite mirror where their faces, reflected on themselves, fold to the whim of the necessary and required contact you request its artifice. Moreover, in a recurrent balance, this elbow rests and tour in rotation on a high stem, forcing values mobile, not only own the statically, but those of the purest art kinetic. Ultimately, in this piece, we galardonamos how are assumed and the traces of time, install from the morphological organic and articulated by Pablo Serrano, up to the most latest ideas of the body as a place of artistic practices, all of them are exalted in the eternity of the tanning material it amalgamated them.

Santiago Navarro

Prof. Dr. Dept. Escultura and history of fine arts

University of Seville

BIRTH OF THE BIRD IN A FLEETING HAND MAN

Bronze
45.5 x 22 X 15.5 cm

MANOTAURO

Bronze

29 x 31.5 X 25 cm

GALLO

Bronze

12.5 x 6 X 4 cm.

GALLO PORTUGUESE PASSING THE BORDER

Bronze

10.9 x 8.5 X 8 cm.

DOOR OF MERIDA

Bronze

11.5 x 9 x 8 cm

NO LIVING SPACE

Bronze

A RECTANGLE IN THE PLANE

Bronze

25.2 x 6.7 x 5.2 cm

GETAWAY TO ANY PART

Bronze
45 x 140,5 x 29 cm.

NUU

Bronze

14.7 x 8 X 5.5 cm.

OLIVE MALTRATA

Bronze

12 x 34 X 21 cm.

HAND FISH

Bronze

28 x 33 X 17.5 cm